Spotlight: Till Taught by Pain by Susan Coventry

Inspired by the groundbreaking discoveries of ether and chloroform anesthesia, William Stewart Halsted pursues a surgical career with relentless ambition, daring to perform operations deemed impossible by his peers. His reputation skyrockets with each bold success— until his quest for an effective local anesthetic leads him to inject himself with cocaine. Caroline, the niece of Confederate General Wade Hampton, seeks to escape the constraints of post-war South Carolina by training as a nurse. When she takes a position at the prestigious Johns Hopkins Hospital, she finds herself captivated by the brilliant yet troubled chief of surgery, Dr. Halsted. Till Taught by Pain is a poignant exploration of love and sacrifice, as Caroline grapples with the difficult choice between enabling her husband’ s addiction and supporting his pioneering career. As their lives intertwine, both must confront the consequences of ambition, the nature of love, and the toll of personal demons on their shared dreams.

Excerpt

Prologue

1922, October

Baltimore, Maryland

1201 Eutaw Place, Baltimore, MD

October 16, 1922

Dear Dr. Welch,

Thank you for your letter and for the trouble you have taken trying to satisfy Dr. Halsted’s sisters. As you say, the memories that I have are what stay with me and the hours between seven and half past eight when we would sit together are the most lonesome of the whole 24 hours…

—Caroline Hampton Halsted to Dr. W. H. Welch, October 1922

My vision blurred. Why was I doing this? No one had ever accused me of being a hysterical woman. I was never outwardly emotional; yet, here I was, tapping my private pain onto the keys of William’s typewriter to burden his most steadfast friend with my grief. Hadn’t Dr. Welch done enough for William over the years? Must he now also console the widow? An impossible task.

The letter would have to wait until I was more self-composed. I shouldn’t be dwelling on how empty the hours were when I had tasks to fill them. If William were here, he would give me one of those wry looks. I could see him doing it.

“Oh, William.”

Swiping the back of my hand over my eyes, I cleared away both tears and my late husband’s image and, instead, regarded his study. Off limits. It had always been off limits. I never bothered him here. This was where he lost himself in his work—that fiction we’d told one another, not with words but with the lack of them. The neat chaos supported the story: journals bearing snips of blue paper as markers, stacked into orderly piles; one basket of correspondence to answer and one for his secretary to file; a draft of the paper he’d been struggling with, more crossed out on the page than remained; scattered books. And downstairs in his library, there were case files, laboratory notes, and more shelves and shelves and shelves of books and journals.

I moved to the window to pull back the drapes. Drawing in a breath, I could still smell tobacco, a distinctly William smell. It was twined down into the antique furnishings, the drapes, and the oriental carpet, too deep to ever dissipate. How sad I could not relish it, but it stank.

It was quiet enough to hear the soft tick of his Gustav Becker wall clock, a gift from a German colleague. The beats sounded slow, as though minutes must now crawl by to rebalance time itself after the hours had slipped away from us so quickly.

Over the past year, William had determined more than once to sort through the accumulation of a busy, productive lifetime, but he was distracted from so desolate a task by the more urgent call to complete what he had started, to move on to more. He’d been so purposeful. All his life, he had been purposeful. That’s what people would remember. Wouldn’t they?

Perhaps not his sisters. Ridiculous creatures. With their Billy would want such-and-such and oh, we have to do this-and-that. Billy? In the end, I’d thrown up my hands. I was only a wife; I wasn’t about to argue with sisters. But neither would I trek up to New York to put him into a grave in the city he’d left all those years ago. I refused to see him buried un-der some hideously sentimental headstone with claptrap about angels. Thank God for Dr. Welch.

Dr. Halsted always said his sisters knew nothing about science and cared less.

Mrs. Halsted, with your permission, I’ll order the headstone.

He’d done it too:

William Stewart Halsted, M.D. 

September 23, 1852-September 7, 1922 

Professor of Surgery in the Johns Hopkins Hospital

Elegantly simple. William would have approved. And his sisters would not argue with the imposing Dr. Welch.

I would have to ask him what should be preserved for the university and the medical library. William’s friend Dr. Crowe said the books and journals were worth quite a bit and I should sell them. But William left me ridiculously well provided for. Surely, he expected me to give the books to the school.

More worrisome was what to do with all the accumulated paper.

Someone—one of William’s acolytes—would start nosing about, intent upon memorializing him. Would William prefer that only his published work survive to represent him? All this unfinished business, correspon-dence, notes for speeches—would it embarrass him to have people pawing through it? Would collected bits from William’s life—not only journal articles but private letters, personal recollections, half-remem-bered anecdotes—be pieced together like a jigsaw puzzle to summate the man he’d been? William would hate that. Ill-fitting pieces ruined a puzzle, and not all William’s pieces fit tidily.

He had to trust me to sift through the leavings, tidying them for pos-terity, before someone from the university arrived to cart all his precious papers away.

Precious papers—I had my own boxful back at High Hampton. My heart thudded painfully and heat rose to my face; William could write a pretty letter. I’d always intended to put a flame to them. One day. To keep them from a would-be biographer’s hands.

Lucy would have to do it. I couldn’t travel anywhere now. There was too much to do. Other things more damning to William’s dignity than love letters might still be locked away in drawers and cabinets. I had to be the one to find them.

William would want his secrets, his untidy pieces, buried with his ashes.

Excerpted from TILL TAUGHT BY PAIN by Susan Coventry © 2025 by Susan Coventry, used with permission by Regal House Publishing. 

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About the Author

Susan Coventry is a retired physician with a lifelong historical fiction obsession. Her first novel, The Queen’ s Daughter, was a YA historical set in the Middle Ages. She has since switched from YA to adult novels and moved on from medieval Europe to the turn-of- the-20th-century U.S. She lives in Louisville, KY with her historian husband, Brad Asher.

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Spotlight: Have You Seen Him by Kimberly Lee

Publication date: July 1st 2025

Genres: Adult, Mystery, Suspense, Thriller

What if everything you believed about yourself was totally wrong?

For David Byrdsong, life is a series of daily obligations. An attorney, he lacks both ambition and the ability to commit to a long-term relationship with his girlfriend, Gayle. Abandoned by his family at an airport when he was eleven, he learned to blunt his feelings, despite his subsequent adoption by a loving couple.

Until one day, when David discovers his own face in a missing child ad. Suddenly driven to uncover the truth about his past, he is forced to tap into his inner strength as he encounters corporate conspiracies, murdered bystanders, and distressing suspicions about the only family he’s ever really trusted. David enlists Gayle’s help—and the help of an unlikely stranger with secrets of his own—as he attempts to find his true family, whoever they are.

Thrilling, exploratory, and propulsive, Have You Seen Him is a story of lost identity, dangerous secrets, and a deeply personal pursuit of the truth.

Excerpt

Before

Any dead bank employee could tell you this simple fact—bulletproof glass only works if you're standing behind it. So if you were like Olivia, just promoted to loan officer with a lovely desk out on the floor, you were well on your way to essentially becoming a sitting duck.

Olivia’s aunt brushed off her reservations as they sat in the orderly kitchen that night. Aunt Bernice was a no-nonsense woman; the shiny fixtures and appliances gleamed. "That's got to be one of the best opportunities you're gonna get without a college degree. Don't you dare tell me you're thinking about turning it down. You better accept that position like the smart girl I raised you to be."

"I know, Aunt Bernice,” Olivia said, moving to the sink to rinse her teacup. “And you’re right. I already accepted the spot.” She wiped the sink with a yellow kitchen towel and folded it into a tight square, then placed it onto the counter.

"Well, good. You worked hard enough to get it." The dilemma resolved, Olivia’s aunt returned her rhinestoned cat-eye glasses to her face, her attention back to her ledger.

Despite the increased paycheck and enviable benefits, Olivia's initial anxiety about her new position never waned. She’d watched too many movies and was highly suggestible, easily spooked by the images she’d seen. She was drawn to crime thrillers, often centering banks, a morbid pull she knew wasn’t good for her. And the little measures she developed to soothe her fears—entering and exiting the establishment only in the company of other workers, fingering the panic button under her desk—didn’t have much of an effect. She tried to be as thrilled as Aunt Bernice was about the new position, but she would have done better to follow the older woman's more relevant, oft-repeated advice: "Always follow your gut."

Olivia's final transaction was a simple one—to close the accounts of a nice-looking family who was moving out of state. They’d arrived at her desk with pointed looks, their identification documents at the ready, their slips filled out. She worked more efficiently than usual, wondering about their backstory. $75,000 was a lot to take in cash.

Olivia snuck long glances at the family as she handled their transaction. The mother had a soft, understated beauty. Something about her was fragile, almost sickly. The teen daughter was pretty, yet solemn. But it was the father's face, the last one Olivia was to see in this life, that would have haunted her, had she lived. 

The robbers approached her desk with small guns in their outstretched arms. Some patrons gasped and others screamed, clutching the nearest stranger. The mother and daughter froze, but the father simply looked at Olivia with bemused resignation, a knowing that this was the end. As if he’d been expecting it. 

The handsome man had taken a visible and audible deep breath, slowly closing his eyes then opening them as a handgun was pushed into his neck. Olivia's ears registered the shots as if they'd taken place far away, on another planet, and she felt the muscles in her own neck clench while blood spurted out of the man. Frozen, she watched the client's body lean towards her and slump over, his eyes locked on a small, worn photo in his hand. The picture slipped onto Olivia’s desk and she studied the boy’s face, his gleaming eyes. But then the gun turned to Olivia, commanding her attention. The barrel's diameter was smaller than the ones she'd seen on TV. But just as effective.

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About the Author

Kimberly Lee, JD, is a writer, workshop facilitator, and editor with a passion for nurturing the imaginative spirit and helping others reveal their creative gifts. She holds degrees from Stanford University and UC Davis School of Law. Kimberly lives in Southern California with her husband and three children.

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Spotlight: Court of Light & Dark by Heather D. Grace

Half-fae, half-human—entirely unprepared to face the war my bloodline dragged me into.

The moment I touch the broken rescue stallion, scars thicken like armor across his back and wings begin to regrow. I've barely processed this when a gruff man with glowing eyes and a pulsing energy shows up on my ranch, claiming I'm half fae...and the key to saving three realms.

I refuse to let anyone else decide who I become, but that doesn't stop my fae "guardian" from black mailing me to follow him to his realm, where small folk are vanishing, only to return stripped of their magic and dying slow, tortured deaths. And while my healing magic is stirring here, it’s barely enough to help with the demons hunting us, let alone save anyone.

As for my guardian? Seems like even being near me is painful, and I can’t tell if it’s from resisting the connection between us, or something darker. Especially when it feels like his blood commands mine... and my own might destroy him.

But distraction could cost us everything; if I fail the prophecy, demons will enslave the fae, destroy the human realm, and take the creature I care about most: my Leath Pegasus.

They say I’m the key to saving the realms, but as time runs out, I can't help but wonder if anyone can stop what’s coming.

Fans of Anne Bishop’s Pillars of the World and Faith Hunters' Jane Yellowrock Series will love this fast-pace, hidden magics, and forbidden love between a grumpy fae guardian and a sunshiny but reluctant chosen one.

Excerpt

Heat radiates down my back a second before Neil’s firm body presses against me. My eyes widen while all moisture abandons my mouth and floods my palms. My body melts into his, curving against him.

No, no, NO! Focus!

I tense my back to keep straight in an attempt to drag my thoughts from the fire sparking at every point of contact between us.

But what’s he doing standing so close? Does he mind me leaning back into him? With everything going on, his strength is so welcoming.

Can he smell my hair from here? When did I wash it last? I’m all sweaty from today’s workout already. Is he going to be grossed out that he needs to be so close to help me? - Tessa (FMC)

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Heather D Grace is a fast paced urban fantasy author that loves to add a slow burn romance. When she’s not busy writing about tough as nails female leads and their alluring protective mates, she and her husband spend time with their 4 children and 6 fur-babies, helping in the veterinary field as an Registered Veterinary Technician, and spending time exploring the beautiful mountains near her home.

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Spotlight: Burner And Other Stories by Katrina Denza

Katrina Denza writes women in conflict: attempting to woo a man via a burner phone, discovering the best friendships are those grounded in reality, subscribing to a hologram service to speak to a deceased husband, reclaiming power only to realize power is an illusion, discovering there is no safe haven, confronting the frustrations of being an artist, and reckoning with mistakes made as a mother. Wrestling with connections and disconnections, highs and lows, and the vagaries of modernity, Burner and Other Stories shows us how we live today.

Excerpt

IN THESE DARK WOODS

The woman has walked this path circling the reservoir many times. She stays in a simple but sturdy cabin near the base of the mountain when she’s up from the city. When she pulled into the parking lot off the highway, there was only one other vehicle: a white truck. To get to the head of the path, she had to hike uphill for a mile and a half. The dirt road winding around the lake will be another mile. She likes to walk up here to clear her mind, to make space in her head for inspiration, for creativity to grace her or give her the finger whichever it’s inclined to do.

In summer, families might share the path or swim in the clear cold spring-fed water. People who, like her, prefer to go out of their way for whatever small patches of pure and untouched parts of nature still exist. Today, clouds hang low and gauze-like. Thunder growls beyond her line of vision. There is no one swimming. No families or couples spread out on blankets. There is just her and the mountain and the lake and the head of the path before her.

The woman is famous; first, for being an artist, and second for being a feminist. She began with conceptual art: short films, small performance studies, still-lifes that relied on the absurd. Her recent Soul of a Woman series has made her something of a celebrity. Each piece is a wall-sized collage using mixed media and found objects. The woman interviews other women, sometimes for days, sometimes weeks, gathering what she calls the tangible material of the intangible. 

It is the end of August. A time in which the city has grown hot and irritable and this area in Vermont already holds the promise of apple cider and pumpkins. It’ll be the last time she’ll walk this path before spring. Her cabin isn’t built for winter. Now, near the top of this small mountain, the air is cool and smells of fish. There is little bird song. No high-pitched calls from tree swallows. No chatter from goldfinches. Only the crows still heckle from the tops of trees. The sweet scent of pine is thick in the damp, cool air. The woman takes note of the flowers decorating the sides of the path as she passes, one sneakered foot in front of the other: white clover, Queen Anne’s lace, black-eyed Susans, daisies, and pale purple asters. Flowers that dotted her childhood summer days. And deeper in the woods, earlier in the summer, there were striped trilliums and pink lady slippers. In the meadows, bluets and buttercups, Indian paintbrushes and golden rod. 

Above the woman’s head, the pine branches rustle and shimmer in the breeze, a soothing susurrus.

In a recent article, a critic who writes for Art Today stated that the woman’s vision is important. “Viewed individually and as a whole, this body of work forces the viewer to see a woman beyond social norms. Each woman is as varied and complicated as a universe. Each piece tells the story of a life lived awake and with feeling. No longer will women stand for being reduced or invisible the work seems to say.”

Last month, on this very path, the woman plucked red raspberries, small explosions of sweet and tart on her tongue. Now, the berries appear shriveled and ravaged by birds or bears or people. The bushes hold only those still green and sour and likely to never ripen. 

She’s not quite halfway around the lake when she hears the patter of rain falling on the trees above her, like dog paws on a wooden floor. To her left, light shimmers on the metal-gray of the lake. Rotted and naked logs lie like fallen soldiers along its bank. 

Hair rises on her arms. A feeling of being watched. The woods have always been safe for her. Even as young as eight, she explored the forest near her house. This day, though, she can’t shake her uneasiness. She peers through the trees on either side, past clutches of birch and firs. Through brush and shrubbery too thick. The feeling reminds her of the story her lover told her about being in Canada on an assignment and how it felt to be stalked by a polar bear. To know that even when you can’t see them, there’s at least one eyeing you for dinner. “They’re cannibals,” her lover had said. “They’ll eat their own kids.” He told her he had nightmares about being mauled by one for years after that assignment. “The only animals known to intentionally hunt humans,” he said, his voice low and heavy with awe.

A drop of rain taps her cheek and takes her out of her fear. No one would be out in weather like this. Plus, she’s already been raped. Her freshman year of college. Now that she’s older, much older, two acts of sexual violence in one lifetime are unlikely. Since turning forty, she’s told herself this.  

Her lover died last November on assignment. He was writing a piece on how Yemen still promoted tourism amidst instability. He sent her pictures of dragon’s blood trees and sap that flowed red—red like his own blood lost when an airstrike hit his hotel. She misses him. Misses texting him randomly or sending him pictures of weird things. Misses his strong body, easy smile, and skilled tongue. No man made her orgasm like he did. Sometimes she thinks he can still see her from wherever he is or isn’t. Sometimes she believes he might now be privy to her thoughts. She hopes so. She hopes he feels duly appreciated and even a little shocked. He was a bit of a prude for all his worldliness. They had a weekend in Paris—he flew her there to meet him—and their first night he asked her why she was so vulgar. They were in bed. With the curtains open, they could see into the Catholic school across the alleyway. School was out for Christmas break.

“You don’t like the word fuck when we’re fucking.” She’d rolled her eyes but his eyes were on the ceiling.

“You talk like a man.”

“I talk like a woman having a good time.”

“You talk like a porn star.”

“Maybe I like porn.”

“You can’t be a feminist and like porn.”

“Fuck you. Then when you’re finished, fuck me.”

They ended up laughing about it, but after that weekend, she became self-conscious about what came out of her mouth during sex. She wishes now she hadn’t conceded so easily.

A horse fly careens through the air around the woman’s face. She bats at it with her hand and makes contact. Steps on its stunned body as she passes. 

She’s more than halfway around the reservoir. Here is the old stone wall built by settling farmers two hundred years earlier. Here is the crumbling foundation of an old standing well further on. The woman checks the sky when she hears thunder but there’s been no rain since the drop on her face, though the air has thickened. Crickets sound off in distant meadows. 

The woman wants to interview a writer, a friend of her lover, whom she met at his memorial service. The writer has traveled all over the world. Most recently, Jakarta. The writer flew there to escort her elderly Indonesian friend on a Hajj trip to Saudi Arabia. Not allowed to leave her hotel room in Medina because she wasn’t a Muslim, the writer hung out in the hotel, which she said was like a small city anyway. 

As she walks, the woman’s mind shifts to what she might include in a collage of her own life: Eiffel Tower, details from a Kandinsky, a brown bear in a window, black-eyed Susans, a picture of Vincent Price, a rust bloom on a pipeline, a positive pregnancy test.

A bird flies up from a cluster of bushes and startles the woman. She jumps and lets out a quiet, “Oh.”

A figure emerges around the corner further down the path.

The woman is newly alert, maybe even alarmed, though she knew in the back of her mind she wasn’t alone on this mountain path near the lake. She remembers the truck. Never forgot it, really.

As the figure approaches, the woman sees it is a man. He is tall and large, but not muscular. The man, bald, wears maroon running pants which bag at the knee and a dark blue tee, wet under the arms and against his stomach. She’s close enough to smell him: body odor, a hint of beer, a hint of rot, and under these animal smells, the perfume of dryer sheets.

She tries to catch his eye before she passes but he doesn’t look at her. He looks ahead, as if she doesn’t exist, as if she’s not walking on the same path around the lake in the woods as he. Hair rises on her arms.

She’s almost back to the point where she started, the place where the path ends and the gravel road begins. He’s going the opposite way and for this she feels relief.

She walks a few steps before she looks behind her. 

The woman sees the man has also stopped. He’s looking up at something in the trees. Her palms grow slick with sweat. The man lowers his gaze to settle on her, then starts moving toward her. 

Her lover told her that to have even the slimmest chance of surviving an encounter with a polar bear you must avoid acting like prey. “They’ll smell your fear,” he said. “You can’t outrun them. You can’t out fight them. Playing dead only makes things easy for them. Might as well stand there and imagine white light or pray or use whatever other magic tricks you’ve come to rely on.”

An end of summer day. A clear, cold lake at the top of a small mountain. A gray sky that threatens.

Here is the woman. Here is her light.

Excerpted from BURNER AND OTHER STORIES (November 11, 20215), copyright Katrina Denza. Shared with permission from Cornerstone Press. First published in New World Writing Quarterly.

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About the Author

Katrina Denza is the author of BURNER AND OTHER STORIES (November 11, 2025; Cornerstone Press). Hers stories have appeared in Nelle, Slippery Elm, and Jabberwock Review, among other places. Her work has earned a scholarship from the Bread Loaf Writers’ Conference and a fellowship from the Virginia Center for the Creative Arts. From 2015 to 2021 she served as chair of the Writers-in-Residence Program for the Weymouth Center for the Arts & Humanities in North Carolina. You can visit her online at katrinadenza.com.

Spotlight: Aphrodite by Phoenicia Rogerson

From the award-winning author of Herc, an enrapturing feminist tale that brilliantly reimagines the story of Aphrodite and how she transformed herself, from a lowly outsider to the darling goddess of love, for readers of Madeline Miller and Jennifer Saint.

Aphrodite saw the gods on Mount Olympus and decided she wanted a piece of what they had. Only problem is, she’s not a goddess, just a lowly being supposed to remain in a distant cave, keeping the threads of Fate woven neatly. But Aphrodite’s never let anyone tell her what to do…

Weaving herself a web of lies and careful deceptions, she convinces everyone she’s the goddess of love whose rightful place is among the Olympians, who lord it over everyone else at the top of the world, but under the stifling rule of Zeus. For the first time she has the best of everything, and friends, peers, even loved ones. Only being a goddess isn’t quite like she thought. Those who oppose Zeus tend to disappear, or worse. And one day, Aphrodite decides she’s had enough…

Excerpt

Aphrodite I

I’m a liar, to begin with.

Well, if I’m being exceedingly honest with you – and I am trying – I was nothing at all, to begin with. Then I was my father’s testicles. Then the weaver of Fate itself, which is when the lying started. After that, it all got a bit complicated.

I was the daughter of Ouranos. The daughter of Zeus. The daughter of no one at all. A winner, a loser, though never much in between. The world standard of beauty and a crone, both. Olympus’ very own it-girl. Maybe the worst wife in all of history. A lover, a friend, a co-conspirator. A snitch. Selfless – once or twice. A bitch – more than twice. A monster, a villain, a victim – if you must. A good mother, a bad mother, a really bad mother. Lonely and famous and beloved and alone. Precious and worthless. A rival, a cheat. Afraid, often, and terrifying, also often. Oh, and I started a war. That’s very important.

The goddess Aphrodite. I was that too. I don’t think I am anymore. Look, it’s all very knotted. Maybe I should start from the beginning.

First, there was Chaos, which meant something different then to what it does now. The time of Chaos was empty. It was a blank canvas for the optimists and an endless sinkhole for the pessimists. It was a time of absolutely nothing. I suppose I was nothing then, but we all were, so I won’t hold that against her.

Chaos was empty, until she met Nyx. I like to think that the two of them were in love, but I’ve never met my grandmothers, so I can’t say for certain. The two of them created the earth and the seas and the sky, and they had three children to gift them to.

Their daughters received the sea and the earth, and they were happy with them.

Their son wasn’t, as is the way of youngest children. He wanted to be the king of a world consisting of only five people, so they let him.

My father, given the world like a toy so he’d play nicely with his sisters. I suspect he was spoiled rotten, but then I quite like being spoiled, myself. And he did ask, before he took. He spoke with such conviction about the glittering future he would bring, the life he would spread across this world, that they believed him.

Ouranos became the first king of this world. He took his sister to be his wife and he made good on his promises. Together – let’s not give him all the credit; he didn’t carry their children – they filled the world with life. They brought forth the Titans, beings more powerful than even they were, who could control the elements around them more easily than breathing. And they brought forth the Cyclopes, and the Hecatonchires – the hundred-handed ones – who Gaia loved and who did not ask for power, only a life, which meant Ouranos did not respect them. He thought them irrelevant to the world, because they didn’t demand to own it. They lived between the oceans and created beautiful wonders with all the energy they saved from fighting.

I don’t know how many children they had together. It doesn’t matter. All that really matters is it was one child too many.

It’s always the youngest son who has the most to prove.

Their youngest was a Titan, Cronus. He wanted to be king too, only Ouranos wasn’t like his mothers. He didn’t want to give up what was his.

Cronus asked for power; his father said no. Cronus did not ask a second time.

So the world came to know a new word: war.

It didn’t last long, that first war. It couldn’t. All the Titans could be counted on fingers and toes.

Cronus armed himself. He went to the Cyclopes and asked for their support. He promised them positions in his new order, new lives beneath the sun instead of deep below the sea. He told them he would respect them as their father never did. And he let their conversation be heard just enough to build fear in his father.

It’s a bold strategy, to tell your enemy that you’re coming, but it works well with the men in my family. They’re so afraid of it, it eats away at them, into their very bones, and they forget that they’re anything other than the position they hold.

Ouranos ordered the Cyclopes sent to Tartarus, a prison in the underworld he’d had to create personally, because one had never been needed before.

(It’s a problem when you’re an immortal fighting other immortals. You have to be careful about who you piss off because there’s no getting rid of them. They’ll be there, hating you. Forever.)

How Cronus himself escaped being tied up in proto-damnation is beyond me, but he did. I suspect his mother helped. He promised her – how they promise! – he would free her sons, bring them to the power they deserved. When Cronus was king, everyone would live equally in a utopia, just below him.

He had his people behind him. He had his shining vision for the future. He had the weapons and the belief. It was only a matter of time.

He followed his father across the land, over the oceans, waited for the perfect storm to be whipping around them, for winds too loud for words – I know that for certain. I made my entrance soon enough.

I think it’s unlikely they’d have had much to chat about, anyway. When you get to weapons at dawn, what do you say?

I want power!

No, me!

No, me!

They were both armed, but Cronus’ reach was longer. That’s been true of every new generation I’ve seen, that they’re just a little bigger than their parents, trying to prove they’re better in the most pointless of ways.

Cronus carried a sickle. I don’t know what my father’s weapon was. He lost.

There was no point in aiming to kill. There never has been, for us. Instead, Cronus thought of the worst shame he could possibly imagine, and he castrated his father.

Chopped his balls off.

De-testicled him.

I’ve heard every possible variation of the phrase, some with great solemnity and some with a snigger, and I’ve never been able to explain why I’m not laughing.

I can tell you now, though.

Those balls were me.

I grew from them. I was born from them. They were me and I am them and that will always be the truth. That is my beginning.

I made my debut at the end of the first great war, in a storm unlike any other, as the world turned itself upside down trying to find its way in the new order. All of this is true, yet my birth is reduced to a punchline.

I hid it for so long, not wanting my entire existence to be reduced to one man’s shame, but I’m over that now. I’m much more famous than him, after all.

I’ve always wondered how Cronus managed to castrate him so neatly. It was only my father’s testicles that made me – call my knowing that feminine intuition, if you want – but Cronus used a sickle.

How? Were they hanging so low? Was Ouranos’ stance so wide because he needed the world to see his mighty balls? What possible physical arrangement leads to one man being able to castrate another with a weapon made for cutting wheat?

Cronus would have had to practise, but he can’t have. Surely he had better things to do in the war, and I’ve met some of his generals. I can’t imagine them offering themselves up for the chop.

That one is a mystery for the ages, I’m afraid, but it doesn’t matter, because now I’m here. That’s it. All of the relevant history before I arrived. Done.

Cronus lifted his arms in mighty victory and bellowed so that all around him could cheer and crown him the new king of everything. Like his father, he went home and married his sister, ready to fill the world with people who looked just like him.

Ouranos, newly ball-less, gave an anguished cry.

‘You think yourself so smart, so powerful, but one day you will be just like me, dethroned by your own children.’

Cronus looked at his father’s crotch. ‘I will never be just like you, will I?’

He ordered Ouranos tied and bound in Tartarus, that prison of his own making, never to be seen again.1

So distracted were they by their respective shouting that the testicles fell into the ocean, instantly swallowed by the swells of the waves, pulled down into utter blackness, presumed lost.

Wrong.

1 For a certain value of never. We are immortals, after all. —A

Excerpted from Aphrodite by Phoenicia Rogerson. © 2025 by Phoenicia Rogerson, used with permission from Hanover Square Press, an imprint of HarperCollins.

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About the Author

Phoenicia Rogerson is the award-winning author of Herc, which won the 2024 Somerset Maugham Award for young writers and was chosen as one of Waterstones' Best Books of the Year in 2023. Though she is altogether mortal with a rather less checkered past than Hercules, she’s had a lifelong infatuation with Greek mythology and is greatly enjoying being able to claim her book purchases are for work. She lives in London.

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Website: https://www.phoeniciarogerson.com/  

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Spotlight: Carried Away by T.J. Derry

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About the Author

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Author website: readcarriedaway.com

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